I marvel at the simplicity of the image but also at its complexity at the same time. This innate paradox is something so essential for a art work of any kind because it speaks to the depth of relationships. It also reminds me that brevity is the soul of wit, as some wise guy said somewhere, (probably Oscar Wilde).
In this aesthetic Pantheon, there are great graphic artists but poorer ones too because with talent, like in any art form, there are those lucky enough to possess an original talent, and then there are all the rest.
The New York Times has the best graphic designers in the business, while their art directors are also the creme of the crop that draw a rich talent pool.
This is a wonderful image, difficult for sure, and it works best as graphic art, but honestly, I would secretly also like to see it in a museum too.
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