FFP
30 June 2021
La Drôme en Automne, here it is!
28 June 2021
Evening Prayers, people are so cool around painters
WAG
26 June 2021
Housekeeping for l'air de rien
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Love from Cloudsandseafrance.com
Salinger's Catcher in the Rye cannot save Shuggie Bain!
I find myself in a Salinger loop. I didn't mean for it to happen but it started easily when I picked out Nine Stories from my bookshelf a few weeks ago. It's a small book of short stories which I have cherished since I first read them in English class as a young man. I have continued to read them frequently over the years since then. But I had not, however, read The Catcher in the Rye in maybe twenty years and it has been a great surprise because I was immediately swept away out into the first paragraph of a long story.
22 June 2021
Summer Solstice, 2021, under the watchful eyes of God
LJG
I have not been painting regularly and consequently it has made me feel somewhat out of touch with the motif. Remarkably though, when I do get there to set up at the beach, mix a palette, and put a white canvas board on the easel, I breathe a little less anxiously. The sky was clear but for a long bank of clouds hugging the horizon, the colour of a corpse.
And I confess that I haven't a clue what I am doing, I am just doing.
I once heard a guy talk about his meditation ritual. I had found him quite pretentious but this was years ago when I always found lots of people pretentious. I still do because these days, so many REALLY are pretentious around topics of meditation and spirituality, especially in this neck of the woods. But no matter, people find me pretty pretentious too, so I've been told.
Anyway, this guy was saying that after so much meditating his mantra was so ingrained in his whole body that he could no longer tell if was breathing, or the mantra was breathing through him. (Or something like that)
But in any event, here is where my own pretentiousness kicks in; because though I haven't a cognisant idea how I proceed in a picture, I know that something guides me, and I like to think it must be the Motif which is steering the tiller. But it is certainly Nature which guides the motif and which tells people like me how to proceed, not the other way around. Contrary to many others in the Painting world, I watch and listen, I don't dictate to Nature or impose what I think I want to do, as my decisions (choices) are contingent upon what Nature wants of me, what it shows me, not what I think I want to see in Nature because Painting out in Nature doesn't give a hoot about my volition though I may think I makes the choices.
But this can open up a bigger conversation for another day.
These last two are not as successful but there are things in them which I like. As I was painting I was joined by a lovely older man, a retired meat inspector, who was fascinated by the speed at which I was able to work. I explained that I was an anxious child, to which he did not even blink an eye.
So, these last two were painted under the watchful eye of a gentleman named Warwick, originally from a small town in Victoria.
18 June 2021
"Hey!,,, You hadda be there!"
14 June 2021
Evening Prayer, Brunswick Heads, 11, June 2021
12 June 2021
at the beach, an actor unsure of his lines
RWS
08 June 2021
other people's s**t, in both sitcoms and in real life
I read something the other day which got me to thinking about something which normally remains rather discreet in our everyday lives. It was a profile on somebody, maybe a celebrity or something, certainly someone in the news currently in a any event. In it this person recounted that they never, could never clean their own toilets; "That's what maids are for", they reasoned. (Ouch!)
The very few times in my adult life when I had the service of a housekeeper at home, I always cleaned the toilet myself before they arrived.
I would never wish for another person to clean up after me like that. And moreover, it seems too personal, too degrading if I think about it clearly. This attitude might have become cemented into my thinking from reading so many Zen "How to" books during my lifetime. And though I have never been in an ashram where one would routinely be assigned toilet duty, I somehow developed this sense of modesty through other means.
(Full disclaimer, I was raised with maids as a young child, and they (the maids) routinely cleaned up after us in those early years)
I still carry a bit of shame over this fact. But I left home quite early, at the age of twelve, and I quickly learned to take care of myself in this regard, and in other domains too. Hey! we grow up the best we can, though sadly, many never do.
And so to broaden out the scope of this idea further, it got me to thinking about just how much s**t other people expect us to put up with or clean up. Actually, just how much s**t do we throw out to others while expecting them to deal with it? If Youtube is a barometer, then we are all in trouble.
But then I do live alone which makes the whole thing a lot easier for myself and others.
When I watch films or television sitcoms, I understand just how the screenplay is loaded to the gills with discord, because without it, one wouldn't have a story. All of drama is about discord between characters, husbands and wives, family members, lovers, workplace colleagues, etc, etc.
So, without any discord, what would relationships look like? What would our lives look like without altercations with others? Would the answer to this be peaceful or boring?
Again, I live alone so my issues are well hidden from view, so I am imagine but I certainly know that others wouldn't agree that I am the easiest of people.
And I guess this is why Trump came to power for four weird years.
03 June 2021
i-calendar and the daze of our lives
A funny thing came up this morning as I was writing about how, and when I first came to France to live. I went into i-calender and went back into time to look at September, 1972. I realised quickly that I must have arrived around the 12th or so of that month.
But looking at the i-calendar in it's monthly configuration, I noted that it had anchored within it the birthday dates of several friends whom I had only met many, many years later. They are in it from the future, as it were.
Nathalie, whom I met in 2010 was a girl of eleven years that year, and Alan, whom I met about three years later was twenty one, Anthony, from the UK, I met in 2008, turned twenty seven years old that year in 1972! And so it went, etc, etc. For each month of the year, the i-calendar had embedded within it a chrysalis of the friendships I would eventually share with so many different people.
It's totally silly and irrelevant to anything or anyone but myself, of course. But it also allowed me to see into the timeline of my own life through friends whom I would come to know, appreciate, and love alongside of it.
As I continued to peruse the calendar moving quickly up through the years I saw many of my other friends turning and churning through their own lives. W was fourteen in 1973 and I would find out that she had been raped at that age. X turned 20, beautiful; she ran through men like a country auctioneer at a cattle farm. Y was eight and lived in Pakistan in a diplomatic enclave, and dear Z was six years old in the South of England and now has three boys 17, 16 and 13.
And in the same spirit, here is a painting done in landlocked Dieulefit which I painted of the sea several years before I actually began working from the sea here in Australia.
oil on canvas, 150 X 150 cm