A friend of mine stumbled by the other day. He had been to the Myocum Tip store which is a few Kms away from where I live. His obsession is picking things up at the Tip, things he has little use for in the present but imagines he could use someday in the future. His wife complains openly that he is a hoarder. He stops in for a coffee sometimes. The other day he brought 1/4 of a delicious apple cake which he had made. He is generous Greek who arrived in Melbourne as a child. He loves to cook and spread his food around, it's his way of spreading love. He also brought an outdated Art Monthly Australia dated June 2004 which the guy at the Tip probably gave him because he is such a fan.
This morning I picked it up from the kitchen table where it was left days ago. I quickly perused it flipping through the pages and saw an article on Leigh Bowery who has always fascinated me as an amazingly creative and original man. He was one of Lucien Freud's most famous muse. He was like a brawl between two gangs of thugs, amazing to watch, spellbinding the public both erudite and popular, while shocking everyone else. And sadly, like all sparkling champagne it goes flat, and he died of AIDS in London in 1994 at 33.
I can also see why she is very successful, and I say this without any catty inference. When I see originality and great talent I hope to recognise it but I am not beholden to liking it.
My taste, which is just what it means, is personal. In the arty world there great things which I do not appreciate nor like at all, just as there are things which I deem to be awful but I can like very much.
This is at the heart of having a mind which is both original and fallible.
Here are more examples of her work.
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